Events
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<PAJANG ONE>Parangjang Records Curated Sound Series ‘PAJANG’ is a series created together with artists who work with sound in all its forms. The first PAJANG features artists Jo Ye-bon, Cha Min-hwi, and Ha Moon-Young (Moon Ha). Date & Time: Wednesday, August 26, 2026, 7:30 PMVenue: Studio Dulle 21, 15 Dulle 21-gil, Seongdong-gu, SeoulGoogle Map (https://maps.app.goo.gl/DK7pCfcwofpM2MN7A)Tickets: KRW 20,000 (all seats)Booking: https://form.naver.com/response/HVIdphl57FNDuration: Approximately 90 minutes <PAJANG 하나> 파랑장레코드 Curated Sound Series‘파장’은 소리를 다루는 모든 아티스트와 함께 합니다. 첫 번째 PAJANG에는조예본, 차민휘, 하문영 아티스트가 함께합니다. 일시 : 2026.08.26.Wed.19:30장소 : 서울시 성동구 둘레21길 15(스튜디오둘레21)예매 : https://form.naver.com/response/HVIdphl57FN (전석 2만원) 러닝타임 : 약 90분
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beauty, after is part of my ongoing beauty project, which began in 2019. Written for piano and percussion, with optional electronics and lighting, the work continues an extended exploration of the concept of beauty through sound, performance, and perception. The piece has been performed a few times by percussionist Josh Perry and pianist Yumi Suehiro as part of ensemble mise-en’s concert series, including presentations at MISE-EN_PLACE and the MISE-EN Festival 2026. Like the earlier works in the beauty series, beauty, after builds upon and reinterprets ideas from its predecessors while extending the project’s central inquiry: What is beauty? Rather than…
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Occupied (2026) is my second collaboration with visual artist Jinjoo Yang. In creating the sound and composing the music for this work, I focused closely on the visual material, allowing the imagery to guide my sonic decisions. Rather than illustrating the video directly, I sought to develop a musical language that resonated with my own response to the work. The piece explores a wide spectrum of frequencies as a primary compositional element, from subtle high-frequency textures to powerful sub-bass vibrations. The interaction and coexistence of these frequency ranges became a central organizing principle of the soundscape, shaping both its structure…
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A few months ago, Tobias Fandel, the organizer of the Overdrive Festival, asked if I would be interested in presenting my work with lighting. Although I already had a piece involving lighting and impulse response, I wanted to create something new. Around the same time, I had been discussing the idea of writing a piece for contrabass flute with Kelley Barnett—long-time collaborator and member of ensemble mise-en. I had started that piece but hadn’t finished it as planned. I realized this festival invitation was the perfect opportunity to bring the two projects together and create a composition for contrabass flute…