Works
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Since collaborating with new_LOrk, the New York University Laptop Orchestra, on the project reciprocal response (2023-24) last year, I’ve become increasingly fascinated by how real-time feedback during a performance can enrich the audience’s sonic experience. As part of the Response series, I recently presented impulse response (2024) at @MusicSpaceGF in Seoul, collaborating with Yeabon Jo, […]
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During the MISE-EN FESTIVAL 2024, I needed an effective solution for providing synchronized cues to musicians for Sepher Priasteh’s new composition for my group (www.mise-en.org). Initially, the group used a clock app where musicians would glance at each other and press their timers simultaneously. However, this method was prone to inaccuracies if someone made a […]
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When I started new_LOrk (New York University Laptop Orchestra), I planned to write a piece that I and my students could play together. I envisioned music that we could freely explore various sonic possibilities, yet still within a musical system where we could listen to each other and share musical ideas. reciprocal response was rooted […]
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In the evolution of technology, various instruments and interfaces have been developed to harness these cutting-edge technologies, yet many fail to endure like their traditional counterparts. While technology attracts attention, its appeal doesn’t guarantee sustainability. For the longevity of these creations, it is imperative to address the fundamental question of why musicians need these new interfaces. This is precisely the focus of MIeX, a venture that navigates the convergence of Music Interaction and Human-Computer Interaction. MIeX strives to enhance the creative practices of live performers through experimental research in the design of devices.
tag: MIeX