Works
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A few months ago, Tobias Fandel, the organizer of the Overdrive Festival, asked if I would be interested in presenting my work with lighting. Although I already had a piece involving lighting and impulse response, I wanted to create something new. Around the same time, I had been discussing the idea of writing a piece
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This piece is part of my “beauty” series, which explores broader questions about the kind of music I want to create—the purpose behind my work, the originality of my compositions, and how I can challenge myself while remaining true to my own voice. Most importantly, it reflects on how all of these are connected to
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Since collaborating with new_LOrk, the New York University Laptop Orchestra, on the project reciprocal response (2023-24) last year, I’ve become increasingly fascinated by how real-time feedback during a performance can enrich the audience’s sonic experience. As part of the Response series, I recently presented impulse response (2024) at @MusicSpaceGF in Seoul, collaborating with Yeabon Jo,
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During the MISE-EN FESTIVAL 2024, I needed an effective solution for providing synchronized cues to musicians for Sepher Priasteh’s new composition for my group (www.mise-en.org). Initially, the group used a clock app where musicians would glance at each other and press their timers simultaneously. However, this method was prone to inaccuracies if someone made a